The aim of this work is to verify if in Schumann’s music, besides the functions usually assigned to the motivic quotation – inspiration, recollection, symbol and tribute – we can add also the structural one: the same function used by Beethoven in his symphonic style, raised by Hoffmann and by nineteenth-century compos- ers to main poetic model of Romanticism.

POETIC MUSIC: MOTIVIC QUOTATIONS AND STRUCTURE IN ROBERT SCHUMANN’S FIRST KLAVIERSTÜCK FROM DAVIDSBÜNDLERTÄNZE

Egidio Pozzi
2019-01-01

Abstract

The aim of this work is to verify if in Schumann’s music, besides the functions usually assigned to the motivic quotation – inspiration, recollection, symbol and tribute – we can add also the structural one: the same function used by Beethoven in his symphonic style, raised by Hoffmann and by nineteenth-century compos- ers to main poetic model of Romanticism.
2019
978-88-3293-302-4
Schumann, Schenker, quotations, Davidsbündlertänze, pianoforte,
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11770/297168
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