The aim of this work is to verify if in Schumann’s music, besides the functions usually assigned to the motivic quotation – inspiration, recollection, symbol and tribute – we can add also the structural one: the same function used by Beethoven in his symphonic style, raised by Hoffmann and by nineteenth-century compos- ers to main poetic model of Romanticism.

POETIC MUSIC: MOTIVIC QUOTATIONS AND STRUCTURE IN ROBERT SCHUMANN’S FIRST KLAVIERSTÜCK FROM DAVIDSBÜNDLERTÄNZE

Egidio Pozzi
2019

Abstract

The aim of this work is to verify if in Schumann’s music, besides the functions usually assigned to the motivic quotation – inspiration, recollection, symbol and tribute – we can add also the structural one: the same function used by Beethoven in his symphonic style, raised by Hoffmann and by nineteenth-century compos- ers to main poetic model of Romanticism.
978-88-3293-302-4
Schumann, Schenker, quotations, Davidsbündlertänze, pianoforte,
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11770/297168
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