Moving from the text of a letter written by Martin Heidegger, the concept of ‘Baroque’ is investigated from a theoretical viewpoint in order to underline its function within the overall structure of the reflection of Jacques Lacan. The surrealistic genesis, the phase of the mirror and the attention for anamorphosis represent well-known stages of Lacan’s thought to be examined in a philosophical perspective inspired by the reflection of Deleuze on Baroque.
Il testo prende spunto da una lettera di Martin Heidegger per studiare teoreticamente il concetto di Barocco ed evidenziarne la funzione nella struttura complessiva della riflessione di Jacques Lacan. La genesi surrealista, la fase dello specchio e l’interesse per le anamorfosi sono note tappe del pensiero lacaniano da esaminare in una prospettiva filosofica ispirata dalla riflessione deleuziana sul Barocco.
Lo specchio. Lacan e il Barocco
PALOMBI, Fabrizio
2006-01-01
Abstract
Moving from the text of a letter written by Martin Heidegger, the concept of ‘Baroque’ is investigated from a theoretical viewpoint in order to underline its function within the overall structure of the reflection of Jacques Lacan. The surrealistic genesis, the phase of the mirror and the attention for anamorphosis represent well-known stages of Lacan’s thought to be examined in a philosophical perspective inspired by the reflection of Deleuze on Baroque.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.