The essay deals with the relationship between cinema and fear from a particular point of view. Through a path that links together the films of Werner Herzog, Claire Denis, Majed Neisi and Leonardo Henricksen, to- gether with concepts, among others, taken from Jean Epstein, Kierkegaard, Francesco Casetti, the essay explores the concept of fear as an element that is at the basis of the choice of filming, the basis of the image’s limit and possibilities. Therefore, in this perspective, fear is not necessarily the effect of the image, but the powerful origin of the cinematographic image itself, presented as a radical gaze on the world.
Scheda prodotto non validato
Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo
Titolo: | La bellezza dei leoni. Il cinema che nega la paura |
Autori: | |
Data di pubblicazione: | 2018 |
Rivista: | |
Handle: | http://hdl.handle.net/20.500.11770/288995 |
Appare nelle tipologie: | 1.1 Articolo in rivista |