La messa in scena della “Calandria” di Bibbiena a Lione il 27 settembre 1548 CARLO FANELLI, University of Calabria Bernardo Dovizi da Bibbiena’s Calandria is one of early Italian Renaissance’s most famous comedies. Successfully staged several times during the Sixteenth century, it became the subject of systematic investigation after the rediscovery of the Renaissance comic tradition. Its first representation, which took place in Urbino on 6 February 1513, drew considerable scholarly interest; other studies focused, and partially shed light, on its representations in Rome the following year. Another significant episode in the staging history of the Calandria is its lavish representation in Lyon in 1548, which however remains underexplored. The present essay focuses precisely on this representation, and especially on the interpretation of its intermissions, with the aim to highlight its peculiarities in the dramatic panorama of its time.

La messa in scena della “Calandria” di Bibbiena a Lione il 27 settembre 1548 Carlo Fanelli

Fanelli C.
2020-01-01

Abstract

La messa in scena della “Calandria” di Bibbiena a Lione il 27 settembre 1548 CARLO FANELLI, University of Calabria Bernardo Dovizi da Bibbiena’s Calandria is one of early Italian Renaissance’s most famous comedies. Successfully staged several times during the Sixteenth century, it became the subject of systematic investigation after the rediscovery of the Renaissance comic tradition. Its first representation, which took place in Urbino on 6 February 1513, drew considerable scholarly interest; other studies focused, and partially shed light, on its representations in Rome the following year. Another significant episode in the staging history of the Calandria is its lavish representation in Lyon in 1548, which however remains underexplored. The present essay focuses precisely on this representation, and especially on the interpretation of its intermissions, with the aim to highlight its peculiarities in the dramatic panorama of its time.
2020
Keywords: Renaissance Italian theatre; comedy; Cazzuola Troup; Italian theatre in France; Bibbiena; Peruzzi; scenography.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11770/311608
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