The essay develops a double reflection on forms of representation: on the one hand, on the use of images by the Black Panthers Party; and, on the other, on the impact that the BPP has had in the contemporary visual imagination. The essay analyses forms according to a perspective of an internal gaze and of an external gaze, in which the party emerges as a political novelty to be interpreted. But it is the contemporary scenario that takes up the image of the BPP to be explored as a missing image.
L’immagine (non più) mancante? Il Black Panther Party
Daniele Dottorini
2021-01-01
Abstract
The essay develops a double reflection on forms of representation: on the one hand, on the use of images by the Black Panthers Party; and, on the other, on the impact that the BPP has had in the contemporary visual imagination. The essay analyses forms according to a perspective of an internal gaze and of an external gaze, in which the party emerges as a political novelty to be interpreted. But it is the contemporary scenario that takes up the image of the BPP to be explored as a missing image.File in questo prodotto:
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