Through the analysis of two significant lyrics from Como quien espera el alba (1941-1944), among the most exemplary books of Cernudiano's exile, this work, on the one hand, aims to investigate the representations of the places of subjective memory , highlighting its divergence with respect to the descriptive constants of the modern era - as they have been defined by Francesco Orlando in his Gli oggetti desueti (1993) -; On the other hand, it tries to highlight a possible new function of the spatial aspect in the field of the transformations that memory paradigms undergo due to the turning point marked by the Civil War.
Cernuda en exilio. Memoria de los lugares y cambio de las tópicas en Como quien espera el alba (1941-1944)
Ida Grasso
2020-01-01
Abstract
Through the analysis of two significant lyrics from Como quien espera el alba (1941-1944), among the most exemplary books of Cernudiano's exile, this work, on the one hand, aims to investigate the representations of the places of subjective memory , highlighting its divergence with respect to the descriptive constants of the modern era - as they have been defined by Francesco Orlando in his Gli oggetti desueti (1993) -; On the other hand, it tries to highlight a possible new function of the spatial aspect in the field of the transformations that memory paradigms undergo due to the turning point marked by the Civil War.File in questo prodotto:
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