La fine del paesaggio. Note sull’apprendistato poetico di Federico García Lorca

In the wake of Claudio Guillén's masterly contribution (El hombre invisible: paisaje y literatura, 1998), this study intends to question the representative modalities of landscape in Federico García Lorca's first poetry, in particular by noting significant constants and variants with respect to the formal models elaborated, a literary season earlier, by the major representatives of the Generation of 1998. If, in fact, for the authors who went through the desastre, the relationship with nature is cloaked in an ideological and cultural project, which takes the process of subjective identification of the Romantic system to its extreme consequences, for the great author of the Romancero gitano, the landscape becomes a device through which to reason about the limits imposed by the traditional expressive baggage of the lyric self.