Alle periferie dell'esistenza

The narrative that director Edoardo De Angelis carries out in his cinematography is crossed by a constant Leitmotif: the exploration of the statute of inner life, a trace of an "existential" research, attentive to what authentically belongs to the human. I refer to the investigation of what is hidden between cracks and fractures of existence. The director intends to give voice to those who do not have the right to speak, calling the peripheries of existence to the fore. A basic inspiration animates his research: the proposal to "relearn to see". This means wanting to identify the intimate and secret relationships of things, the correspondences, the analogies, so as to reorder the labyrinth of figures, structures, events in a plot in which ways such as the absurd, the horrid, the contradiction, the irrational coexist