Our work explores the blend of science, art, and technology in chaos physicalization, translating complex mathematical models into tangible designs. It is closely aligned with research on data physicalization, drawing from design creativity and innovation models. Through interdisciplinary collaboration and innovative tools, we bridge theory and practice, fostering a culture of creativity. Industry 4.0 technologies and education enhance practicality and inspiration, blurring boundaries between art, science, and technology. Our methodology follows a comprehensive six-step process: Selection of the Chaotic Model, Computational Manipulation of forms to be physicalized, Material Choice, Manufacturing, Post-Processing, and Quality Control. This systematic approach has successfully resulted in an exhibition, showcasing tangible objects that serve as representations of various chaotic systems. Demonstrated through this art museum exhibition, we prove that chaos generates artistic and scientific novelty, transforming data into a source of creativity and design innovation. Furthermore, our project emphasizes the significance of cross-disciplinary synergy, demonstrating how the physicalization of chaos can act as a catalyst for new educational and professional perspectives, opening avenues for future collaborations among artists, scientists, and technologists.
From science to art forms: exploring design, creativity and innovation through chaos physicalization
Bertacchini, Francesca;Pantano, Pietro S.;Bilotta, Eleonora
2024-01-01
Abstract
Our work explores the blend of science, art, and technology in chaos physicalization, translating complex mathematical models into tangible designs. It is closely aligned with research on data physicalization, drawing from design creativity and innovation models. Through interdisciplinary collaboration and innovative tools, we bridge theory and practice, fostering a culture of creativity. Industry 4.0 technologies and education enhance practicality and inspiration, blurring boundaries between art, science, and technology. Our methodology follows a comprehensive six-step process: Selection of the Chaotic Model, Computational Manipulation of forms to be physicalized, Material Choice, Manufacturing, Post-Processing, and Quality Control. This systematic approach has successfully resulted in an exhibition, showcasing tangible objects that serve as representations of various chaotic systems. Demonstrated through this art museum exhibition, we prove that chaos generates artistic and scientific novelty, transforming data into a source of creativity and design innovation. Furthermore, our project emphasizes the significance of cross-disciplinary synergy, demonstrating how the physicalization of chaos can act as a catalyst for new educational and professional perspectives, opening avenues for future collaborations among artists, scientists, and technologists.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.